Writers on Lockdown: Micah Thomas

Micah Thomas is author of the Eudaimonia series – a unique blend of paranormal with literary fiction. In the final interview of our Writers on Lockdown series, he joined me to chat about isolation, spiritual teachers, and layers of meaning.


Hi Micah, welcome to Writers on Lockdown! How are things over there in the US, are you feeling as ‘locked down’ as us?

I have been a shut in for a few years. The isolation certainly has intensified as online friends focus on keeping themselves… I don’t know. Keeping themselves together. 

Do you find isolation a help or a hindrance to your creative process?

My creative stages have an isolation mode, where I’m heads down working. The creation place is very private and I don’t like eyes on me. However, my sharing motion needs witnesses and that is tough right now. I’m releasing so much art and writing and it’s really not a good time for it. 

So you’ve released two novels so far in the Eudaimonia series, when can we expect the third?

The final novel and the final volume of short stories will both be available in April. I’m formatting Evidence of Changes vol 3 as we speak. The novel will be formatted next month. Then I’m practically done with this Eudaimonia world. Kinda. 

For those who aren’t familiar with your work, could you talk a bit about what the Eudaimonia world is?

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Writers on Lockdown: Michael Walters

Michael Walters is author of The Complex, an unsettling novel about the human psyche and its relationship with strangers and virtual reality. I caught up with him to chat about isolation, Carl Jung, and the importance of subtext in creating atmosphere.


Hi Michael, welcome to Writers on Lockdown! So, how are you faring in these strange times? Do you find isolation a help or a hindrance to your writing?

I’m faring well, thank you. I’m very lucky — I have a job that I can do from home, the kids are safe, and our parents are healthy. Being at home all the time with a full-house is challenging sometimes, but some people are going through hell at the moment, so I’m not complaining. 

The lockdown is definitely not isolation for me. I like being alone. Being alone is the only way I can let my mind wander. I’m an introvert, so when I have to turn on the extrovert afterburner, I do need to recover. That’s really hard at the moment.

Are you finding the opportunity to work on anything new?

I wrote a short story in January and February which I hope will get published later this year. After finishing that, I wanted to get into my next novel, then coronavirus hit. I’ve been able to flesh out some ideas — I have a map of the location in my head, some characters, a few possible scenes, a title  — but I haven’t started the first draft. The momentum is building. I hope I can finish a draft by the autumn. That might be hopelessly optimistic!

I wanted to talk a little about your recent novel, The Complex, which explores the psychological effects of unfamiliar spaces, both virtual and real. Can you tell us about the premise and how you came to write on this theme?

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Writers on Lockdown: Jonathan D Clark

Jonathan D Clark is author of philosophical novel Arcadia, and his short story The Video was published in our recent anthology, Vast. As part of our Writers on Lockdown series, he joined me to discuss isolation, paranoia, and the dark side of our relationship with technology.


Hi Jonathan, welcome to Writers on Lockdown!

Thanks for having me as part of this series. It’s a pleasure.

How are you surviving in these crazy times, do you find isolation is a help or a hindrance to your writing process?

I’ve always been a rather reclusive individual (going to and from my day jobs throughout the years without speaking to anyone), so besides the limitations on what there is to do around town—and having to snipe for groceries—not a whole lot has changed for me due to the lockdown. Although, it did give me the chance to tell my more extroverted friends “welcome to my domain.” And as for productivity, it did witness a spike in the first week, but it has since slowed back down to its original pace.

Are you working on anything at the moment?

For the past year I’ve been working on my next novel, along with the occasional short story here and there when I feel I need a break from the grand narrative.

Can you tell us anything about the new novel at this stage, or is it top secret?

Unlike Arcadia, my current WIP (titled False Cathedrals) will have a more contemporary setting; taking place in 2012 in the fictional town of Midtown, Vermont—as well as a few chapters taking place in the mid-to-late 90s. At the heart of the novel is Daniel Bloom, a middle-aged psychotherapist who can’t seem to escape the haunting memory of his first wife, Karen; even after fourteen years have passed since her untimely demise at the hands of a crazed shooter, now dormant. Hoping to distract himself, Daniel puts all his focus into helping a patient find lucidity after well over a decade of uncertainty. But it doesn’t help when he hears that the shooter has started a new, violent rampage.

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Writers on Lockdown: Chris Beckett

Chris Beckett is an Arthur C Clarke award winning science fiction author. He’s published six (soon to be seven) novels and dozens of short stories, often focusing on ‘inner’ as opposed to ‘outer’ space. I caught up with him to chat about isolation, metaphysics, and tribalism in modern society.


Hi Chris, welcome to Writers on Lockdown! So, how are you faring in these strange times? Is isolation a help or a hindrance to your writing process?

I’ve been having difficulty moving my writing forward this last couple of months, but this often happens – I simply dry up and can’t seem to write anything – and it may have nothing to do with the lockdown. However I do think my ability to concentrate (never brilliant to be honest) is worse than usual.  

When the real world is stranger and more engrossing than usual – and I am finding it engrossing – it is perhaps harder to focus on imagined worlds? 

In my life generally, I’d say I am finding the lockdown more interesting than distressing. I’m used to spending a lot of time by myself at home, and in some ways the lockdown is providing a stimulus for me to find ways of keeping more in touch with some people than I usually would, which is nice.  

I have a little granddaughter – she is 13 months old – and I’m very sad not to be able to spend time with her, as the plan had been (until this happened) that I would be looking after her for one day a week.

I’ve heard from several writers that their creativity is at a low point. I wonder if being engrossed in new situations is all part of ‘refilling the well’ of inspiration. Do you think we’ll see a different kind of fiction emerge on the other side of this?

I think that’s exactly right about ‘refilling the well’. We have to stock up on life in order to have anything to write about.  And none of us have had many experiences which are completely comparable to this one. (In fact a lot of writers have had pretty quiet lives generally, I suspect). I’m sure new kinds of fiction will come out of this, but I really don’t know what. This virus has changed life for everyone, but in so many different ways.  

I wanted to talk in particular about your recent novel, Beneath the World, a Sea, which is full of strong, surreal imagery, questions of the unconscious and philosophy of mind. When so many science fiction writers are focused on future technology, what made you turn inwards and address the nature of consciousness?

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Writers on Lockdown: Ellinor Kall

Ellinor Kall is an explorer of the liminal, embodying the blend between fiction and non-fiction. The popularity of her short story The DreamCube Thread in our recent anthology sparked this conversation on isolation, automatic writing, and occult influences.


Hi Ellinor, welcome to Writers on Lockdown!

Thanks, it’s my pleasure!

So how are things over in Sweden, are you feeling as ‘locked down’ as us?

From what I gather you in the UK seem to have a stricter policy than us. There are restrictions on how many can gather in one place, on visiting the older and vulnerable groups and things like that. Many work from home if possible, but many people are still out and about.

Every spring Swedes go crazy when the sun returns after a long dark winter and people HAVE to gather at the temporary outdoor seatings that pop up outside the pubs – no virus can stop this annual sun-worshipping ritual. Maybe it’s a remnant of some stupid viking mentality: if we die in battle with the virus we’ll get to sit and drink beer in the sun on plastic chairs outside Valhalla.

Haha! Do you find isolation a help or a hindrance to your creative process?

I’m a rather introverted person, and before this I was already working from home at least one day a week. And when not working, well, I’m mostly staying at home, reading, writing, listening to music, watching films and playing games. So this “isolation” is normal for me.

When I’m working on something longer I need time, preferably over several days, to get into the right mindset, get into the world, arrange all the pieces before I continue writing. Any disturbance from the outside world and I have to start over again. My mind is kinda chaotic and wants to go off and do other things all the time. So I have to spend a lot of energy keeping focus until I get into flow. But once that happens it’s hyperfocus to the point I forget to eat.

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Writers on Lockdown: Logan Ryan Smith

Logan Ryan Smith writes dark, disorientating, and highly imaginative streams of consciousness with a unique sense of humour and madness. In the third of this new series, I caught up with him to talk about isolation, the flow of writing, and the unreliable narrator.


Hi Logan, welcome to Writers on Lockdown!

Hi, C.R. Thanks for the invite to participate. Very happy to be a part of this.

How are you faring in these strange times, is isolation a help or a hindrance to your creative process?

Outside of the occasional moment of being overwhelmed emotionally by the terror and beauty of a whole planet trying to achieve something together, in unison, not only for themselves, but for their families, neighbors, and those workers out in public selflessly providing essential services for the rest of us, I guess you could say I’m doing quite well, actually. As I’m betting you’ll hear from most writers, I’m not incredibly social. I’m not antisocial, but the things writers like doing (reading and writing) are things done in isolation already, so it’s not a huge disruption to my life. And I’m in isolation with my favorite people, my family, so why would I complain? So, we’re taking this lockdown very seriously and fortunately they’re like me — not super social. I guess we were all homebodies to begin with, so we’re not dealing with the same stress as those that have a real need to be out and about with bunches of people. So it goes.

As for the creative process, I guess it has stymied it. I usually take a break after releasing a new book, but I likely would have begun a new one by now had this whole thing not happened. I am fine with (some) isolation, but I actually do a lot of my writing out of the house. That’s mostly due to not having any kind of writing studio in our house, which means the kids would be asking every five seconds what I’m doing, what my book is about, and if they can help me write it. But when I say, “Sure. Tell me how many S’s there are in ‘occasional.’ I can’t remember,” they just give me blank expressions and start hitting the keyboard, laughing madly like a couple tiny maniacs. It’s frightening. You should see it.  That said, even if I get my writing studio with a door that locks (we’re going to try to convert the garage during this time of lockdown), the six-year-old is already a master lock-picker. So we’ll see how that goes.

Aside from needing space, I’m also not the type to write when my mind is completely occupied by something other than the thing I’m writing at the moment. I turn on the news every morning, hoping against hope that the death and infection rates are slowing, and as yet, it seems to only be increasing. Hard for me to think about my next book when that’s how the day starts. Then of course there’s getting used to working from home. So, sitting all day in the house on the computer for the day job makes it a little daunting. I mean, to basically “clock out” of the day job without having gone anywhere and then to simply “clock in” to the writing job is an abrupt change in gears and I’m much better working when there’s more of a transition from one thing to the next. I hate abruptly changing gears.

All THAT said, the itch to write is a lifelong affliction, and that has returned. I’m ready to get rolling. What that will likely do is inspire me to get to work converting the garage ASAP. So, long story short, this whole crisis has affected me by inspiring me to do some home renovation. Who’d a thunk it?

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Writers on Lockdown: Gavin Jefferson

Gavin Jefferson is a multi-genre author, spanning time travel, fantasy, humour, and the paranormal. In the second of this new series of interviews, I caught up with him to chat about isolation, trigger warnings, categorisation, and the impact of comic books on his work.


Hi Gavin, welcome to Writers on Lockdown!

Thanks for having me, I love this idea! 

So, how’s this crazy situation been for you so far – do you find isolation a help or a hindrance as a writer?

I find it okay, to be honest. Although I work in an office full of people in my day job, I tend to live there in my own world, with over-ear headphones and music. You might say that I’ve been prepping myself for this for quite some time, ha ha! 

I tend to do most of my writing on my lunch breaks or late at night, so because I’ve been lucky enough to have the ability to work from home, I’m getting roughly the same amount of writing done. One thing I didn’t expect from the lockdown is how it has made me look at my work in a different light.

Really? In what way?

Well, it’s forced me to consider theme and story setups more. I’m a firm believer in trigger warnings, but I never really considered pandemics as triggering events. I know, for me at least, I don’t want to read anything relating to that right now. And I don’t think I’ll want to in the near future, either. To think I intended to reread Station Eleven this year, too.

Take The Surrogate, for instance. That’s the story of the world’s last obese man. The way I eradicated obesity in that book was to have the worldwide governments band together secretly and have them release a virus into their respective drinking water sources, altering everyone’s genetics. It felt like something only bigger people, like me, might be offended by. And, to be honest, I thought the presence of that potential trigger would be clear from the synopsis. But, the virus idea… I hadn’t even considered it. I put a tweet out prior to the lockdown telling people not to read the book, or to take care with it if they did. The last thing I want is to upset people. I mean, it’ll happen whether I want it to or not, I guess. But, I’d rather present the warnings upfront and have a clear conscience about it than not.

I jokingly said that there would be an influx of pandemic-related fiction over the next decade, but now that I think of it, there probably will be, right? This’ll be taught in schools, at the very least.

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Writers on Lockdown: Kenny Mooney

Kenny Mooney’s books are experimental, ‘unapologetically nihilistic’ prose poems that skillfully thrust the reader into new perspectives. In the first of a new series of interviews, I caught up with him to chat about isolation, writing style, philosophical influence, and the importance of ambiguity in literature.


Hi Kenny, welcome to Writers on Lockdown!

Thank you for having me!

So how are you faring in these strange times – is isolation beneficial to your creative process or a hindrance?

The isolation isn’t a problem for me. I’m an introverted, fairly anti-social person, so being told to stay indoors and not socialise is basically my life. I’m amused at how many people, mostly those I work with, have been going on about how they don’t know how they’re going to manage, and it’s been about a week. I imagine them already chewing their fingernails down. These will be the fucking idiots buying all the food in the supermarkets. 

Isolation definitely benefits my creative process though. I’m not the kind of person who can write around other people, I need a totally separate space that I can control and manage. Not that I’ve been writing very much lately, but when I do, having somewhere away from other people is certainly required. I guess because this whole situation isn’t actually that much different to my normal life, for me, I don’t feel as compelled to take advantage of the lockdown and do something creative.

I think pressure to be productive can have a negative effect on output for creatives. Would you agree?

I would definitely agree, at least for me. Different people respond to different stimuli, but in my experience, pressure is not a great way to encourage creativity. And I think that can often be part of the problem for writers, and other artists. We put ourselves under so much pressure to reach some arbitrary level, be it a particular word count, or to be original or funny, experimental, or whatever. I think if people just relaxed and let the work be itself, to arrive in its own way, they’d be happier, and maybe more productive. But who knows. I’m wary of giving or listening to writing advice. Do whatever works for you.

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Vast – Release Day!

Today sees the release of our very first anthology. It’s been a lot of work, but we are so proud of the final result. Vast: Stories of Mind, Soul and Consciousness in a Technological Age features exciting and thought-provoking contributions from ten fantastic authors.

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Chimy and Chris by Stephen Oram

Chris is a scientist. Chimy is a brain, artificially grown in a vat and developing quietly in the dark… ‘I feel the pipe against my surface and see her push it inside me. “Chimy, speak,” she says. I do not know how to speak. What does she mean? How do I speak?’

Little Thief by J.R. Staples-Ager

Thief has undergone surgery at the hands of Genesyx Corporation in order to become ‘ported’ and donate unused brain capacity to the country’s data processing power. What side effects could this possibly have?

Limited Infinity by Thomas Cline

Hess has lived in a reality simulation for many years by law, along with everyone else. But one day, suddenly, there is no one else. They just – vanish. Can he, and the voice in his head, find out what happened?

Dreamtime by Vaughan Stanger

Jerome is in pain. He can’t sleep and is in desperate need of palliative cancer treatment, but now that AI has supplanted every government, he must make a trade to get it. And there’s something he has that the Partners want more than anything else…

The Weight of your Mind by Sergio Palumbo

Brett is a scientist, working on a theory that thoughts produce gravity in minuscule amounts. The problem is, he only knows this at night when he sleeps. During the day he must live a different kind of nightmare…

The Video by Jonathan D. Clark

Everyone watches the video. You watch it. I watch it. We watch it from a distance with disgust, with tension, with the dark thrill of drama. What does the video say about us? What have we become?

The DreamCube Thread by Ellinor Kall

Everyone wants a DreamCube. Feed the ethically cultivated neural tissue, keep it by your bed, and watch it dream! But people are curious. People have questions. Why are the Makers so elusive? Join the discussion!

Luz Beyond the Glass by Ava Kelly

Huge glass spheres sit in gardens. Everyone knows they absorb pollution from the ground, water, and air, to cleanse the filth our ancestors left behind. What most don’t know is what resides in them…

Every Aspect of Every Recollection by Peter Burton

A wonderfully philosophical piece, taking a wander in a mind that has only itself left. Do our memories give us life? Our fantasies? Is it possible we are each more than a single timeline?

Ancestors by Juliane Graef

There is no way back from what humans have done to Earth. But there might just be a way forward… A touching story depicting the persistence of consciousness and three aeons of what happens after.

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You can buy your copy now from any of the following:

Paperback: Orchid’s Lantern Direct, Waterstones, Amazon, Wordery, Book Depository, Foyles, Barnes & Noble and more.

Ebook: Amazon, Kobo, Barnes & Noble, iBooks and more.

We’d love to hear what you think, so be sure to leave a review or check back here to leave a comment!

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